12 Comments

Very interesting perspective! My question is how do you go about studying the industry? There's so much information out there, how do you know what's relevant and what's not

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Interesting. In general, how much do you let industry decide the creativity aspect of your work?

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Mar 25Liked by Kern Carter

Really enjoyed reading your take on this, especially the idea about it being a decision. I always imagine a Venn diagram where one circle is the art you want to make, and the other circle is the art that's going to sell. When I'm thinking up a concept or a hook for a book, I try and aim for that little bit of overlap. That's the magic place.

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Mar 24Liked by Kern Carter

All points raised are true.

As soon as you start pitching you are entering the world of commerce; buying and selling; trading etc

brutal questions:

Readers, movie goers have been conditioned many say. That is markets essentially.

where does my novel/screenwriting sit genre wise in the publishing market? is it marketable or stray too far out reader's/viewers comfort zone ?

In other words have readers seen something like it before, is it a likeable interesting variation ?

You may laugh at this Kern, recently I was talking to an Industrial designer and asked her how does she approach your design work -- do you do strive for something out of left field ? ie revolutionary ground breaking.

She said that rarely happens, good design is to take the essence of something that is out there ; familiar and change it adding your touch; but do not overdo it too much.

I wondered whether there is a lesson here for writers: LOL

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Mar 24Liked by Kern Carter

I’ve actually read the counter argument often, that in writing with the industry in mind you:

A/ End up being submerged by stories that look the same as yours

B/since writing takes time, you fall short on trend when the work is done and seems passé.

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